CUYP, Aelbert

Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.


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CUYP, Aelbert The Negro Page dfg oil


The Negro Page dfg
Painting ID::  6341
The Negro Page dfg
c. 1652 Oil on canvas, 142,8 x 226,7 cm Royal Collection, Windsor
   
   
     

CUYP, Aelbert Peasants with Four Cows by the River Merwede dfg oil


Peasants with Four Cows by the River Merwede dfg
Painting ID::  6342
Peasants with Four Cows by the River Merwede dfg
Oil on wood, 38 x 50 cm National Gallery, London
Oil_on_wood,_38_x_50_cm National_Gallery,_London
   
   
     

CUYP, Aelbert Rooster and Hens dfg oil


Rooster and Hens dfg
Painting ID::  6343
Rooster and Hens dfg
Oil on panel, 48 x 45 cm Museum voor Schone Kunsten, Ghent
Oil_on_panel,_48_x_45_cm Museum_voor_Schone_Kunsten,_Ghent
   
   
     

CUYP, Aelbert View of Dordrecht  ds oil


View of Dordrecht ds
Painting ID::  6344
View of Dordrecht ds
c. 1655 Oil on canvas, 97,8 x 137,8 cm Iveagh Bequest, Kenwood House, London
   
   
     

CUYP, Aelbert Young Herdsman with Cows fdg oil


Young Herdsman with Cows fdg
Painting ID::  6345
Young Herdsman with Cows fdg
1655-60 Oil on canvas Metropolitan Museum of Art, New York
   
   
     

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     CUYP, Aelbert
     Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.

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